A collaboration between a magazine, an artist and a fashion designer, defines a trifecta of fascination for me, add Ms Johansson into the mix, and this combination packs a powerful thespian punch! As If, Scarlett Johansson and David Salle should meet!
In celebratory commendation, the tenth iteration of Dallas Art Fair will once again garner attention from galleries and attendees from across the globe. With one hundred exhibitors in situ, at the familiar mid-century warehouse space: Fashion Industry Gallery, aka f.i.g., loyal legions of art patrons will descend upon the downtown arts district to peruse works of art represented from almost thirty cities to include, Antwerp, Bogotá, Brussels, Dubai, Florence and Tokyo.
In these past ten years, the fair has transformed from its early days has a long dilatory weekend excursion, to a weeklong of artistic and cerebral debauchery: previews, exhibition openings, tours, conversations, and galas. To wit, no longer for the fainthearted—only the stealthiest, wealthiest, and most chic of art collectors can penetrate the VIP roster of festivities and survive in triumph.
An internationally recognised art star, British contemporary artist Tracey Emin, will be honoured at the annual MTV RE:DEFINE art auction and gala in Dallas next month. Pick a word to describe Emin’s work, or perhaps, pick an acronym, CBE, RA, and YBA—letters that tell a compelling story.
An artful collection of fashion ignites a vibrant narrative at Dallas Contemporary, as Mary Katrantzou opened her first museum exhibition this past weekend, Mary, Queen of Prints.
Curated in a schematic kaleidoscope of colours and prints, the maze of yellow, red, blue, green and pink silhouettes is mesmerizing—tantalizing the eyes one mannequin at a time. With 180-items in the exhibition, the sheer magnitude of the eye-popping body of work with trompe l’oeil prints, heavily embellished sequined and embroidered gowns with butterflies, koi carp, and pencils is breathtaking.
TRAVEL: Viva Arte Viva, the theme for Venice Biennale 2017, and the reason for my first trip to Venice. The lagoon city, a maze of waterways and narrow cobbled paths is enchanting, to say the least—but this visit was extra special, coinciding with an art tour curated by Dallas Contemporary.
The water taxi docked at Palazzo Venart just after midnight, and beneath the moonlight, the Grand Canal and garden entrance to the hotel looked hauntingly spectacular. The once Venetian palace, Palazzo Bacchini della Palme, recently renovated into a five-star hotel would be home for the next five nights. I arrived in Venice ready for a Monday morning kick-off, along with an art posse from Dallas for pre-opening activities of the Biennale.
In a sun-filled warehouse, in the Cannaregio neighbourhood of Venice resides the latest exhibition by Ukrainian photographer Boris Mikhailov titled Parliament. During the pre-opening week of the 57th Venice Biennale, I took a trip to Italy to immerse myself with art, to meet Mikhailov and attend the opening reception for the Ukrainian Pavilion.